“Put that camera down, you bitch,” someone yelled out of a car as it drove by with the door wide open.

I had a little time in Savannah yesterday to walk around and take some photos. I tend to wander through the rougher areas — not just in Savannah, but in any city I visit. I’m drawn to the spots most people avoid. Not the tourist zones, but the alleys, the quiet, broken-down neighborhoods where the grit is.

I’ve photographed Savannah a lot over the past few years, so it’s getting harder to find places I haven’t already been. But every now and then, I’ll stumble on a back street or alley I’ve never seen before, and in it, something I’m almost certain no one else has photographed.

There’s something about walking aimlessly with a camera that I find incredibly fulfilling. Honestly, if I could do just that for the rest of my life — wander around and photograph things that most people overlook — I’d be content.

There’s a quote I heard recently - can’t remember who said it — but it stuck with me. It was something like: “It’s better to be aimless than to be rigid with a plan.” Because when you’re too locked into a goal, you might miss the opportunities that pop up along the way. You need to stay flexible, fluid—open to what the world hands you.

That’s how I feel about photography. I’ll walk for hours—sometimes five to ten miles — just to see what shows up. It becomes a game. A game between me, the camera, the street, and whatever decides to show up that day.

Usually, it takes a few warm-up shots to get into it — just pictures of objects, whatever catches my eye. But once I find a rhythm, it’s like the world starts to reveal itself. The good stuff comes out of hiding.

That’s what real photography is to me. Not staging scenes or setting up portraits—that’s more like illustration, as Garry Winogrand would say. What I care about is life. Life unfolding right in front of you. Life happening.

I'm wanting to produce small limited edition zines of my ongoing work.

It would be helpful to receive contributions or donations to help fund the project. From what I have been quoted, it looks to be around 300k sats to produce 30 copies, 48 page, full-color zine. Contribuiters will have thier npub printed in the zine and will receive a signed edition.