The blurb on the back of the book said it was science fiction's answer to Moby Dick. Other people say Nova is a pirate story, like Treasure Island, but in space. Samuel R Delaney said it was a Grail Quest, like the Faerie Queene. But among the canon of archetypes available to us, what Nova really is is Old Boy--it's all about revenge.
The villain of Nova is one of those utterly detestable characters authors create for us to use as emotional punching bags; so cruel, so vile, so selfish, arrogant, and repulsive in their conceit, that we can all feel enjoy poetical and lengthy descriptions of their ultimate downfall.1
We first meet him as a child where he is senselessly cruel to our hero. There are many more instances which reveal his detestable personality, but the most excellent is a fabulous scene where the villain boasts about pursuing a random acquaintance of our hero and single-mindedly destroying this insignificant character's life over course of half a lifetime.
(Pardon the length of the following quote, but it really is magnificent)
Do you remember that party where I was forced to break your face to teach you manners? You probably don't even remember the boy you brought along with you--uninvited, I may add--to my little affair. His name was Brian Anthony Sanders--a commonplace, boorish, stupid, and insufferably rude young man. Before we were even introduced, he made some insulting comment about my arm. I laughed it off, as I had learned to do. I even responded politely--answered his boorish questions, as though they were of no consequence. But I never forgot them. After the party, when he returned to his university, he found his scholarship canceled and a charge of cheating on his previous term's finals leveled against him, for which, I'm pleased to say, he was shortly expelled. Five years later--because I still had not forgotten--I had an accountant visit the firm where he was then working. A week later he was fired for embezzling some few paltry thousands of pounds sg from his employers--and actually spent three years incarcerated at hard labor for it, where I gather he regularly protested his innocence till he became the laughingstock of the other prisoners. Five years after that--by then he wasn't doing very well, as I recall (you probably remember him as a rather stocky boy; he'd become a very gaunt man)--when I had my people hunt him out ounce more, it was not difficult to have some minor drugs secreted in his room in the single-men's complex where he was now living--so that he was put out onto the street. Two years after that, when I decided to devote still another hour to seeing what I could do to tarnish the quality of his life, I discovered that he was still without a home--and had developed a serious drinking problem. A couple of particular ironies there: When we found him--in a ditch just below the highway that led to some storage hangars behind the space field--he was sleeping in a corrugated crate that had once been used to deliver a Red-shift manufactured intra-atmospheric turbine coupler. And somewhere, in some accident or other over the intervening time, he'd lost three fingers off his left hand--that, believe me, I had nothing to do with. but by then he simply didn't have what it took to go and get them replaced. It wasn't too hard, at that point, to shift his interests toward exactly those drugs that had made him homeless in the first place--a young woman in my employ plied him with the drugs daily at very high dosages...then disappeared, leaving him back on the street with only his habit to remember her by. The last time I checked--only three months back, actually--I learned that, after a colorful and recidivist penal career, trying to support that habit, Brian Anthony Sanders died...not a full year ago, of exposure to the cold in a dead-end alley of an inconsequential city of a few million folk on an icy world thousands of light-years from either yours or mine, doubtless cursing the gods of chance that had thwarted all his attempts to give himeslf a happy life--as though somehow he were just particularly allergic to the...bad luck plaguing him. Knowing I was a persistent, niggling factor in that plague is a wonderfully invigorating feeling, Lorq. Really, it's something everyone has envisioned--making the rude and thoughtless pay for their thoughtlessness for the rest of their lives. Well, I just happen to have been born powerful enough to do it.
As horrible as this villain is--and the above is really just a brief glimpse into the foul depths of his psyche--Nova satisfies, because our hero metes out a sufficient punishment involving lava, the villain's sister, a powerful musical instrument called a sensory-syrynx which is capable of blinding, deafening and whatever the equivalent is for the sense of smell, the inside of a star, the toppling of a generational dynasty, and the altering of the fate of entire star systems.
The science in the fiction is excellent. I don't necessarily mean it's plausible or accurate--although it feels like it is--but rather that it is just placed there in little comments or bland descriptions that don't sound very important,2 but this character is sitting down in a body-contouring jellied chair made of jellied glycerin or these people show up in a fog-crawler that plows the surface of a gaseous planet.
Delaney is a really good writer. I first encountered him when I read Dhalgren, which is experimental and confusing and probably not the best book to begin with if you want to get to know his writing.3 His earlier novels are much more approachable and very entertaining. But what I like most about him are his turns of phrase. He frequently produces those descriptions of things which are novel to your ear but familiar to your heart. Always worth the read.

Footnotes

  1. Authors aren't the only ones who create such punching bags. It turns out that we humans enjoy manufacturing targets for our emotions upon which any treatment is excusable. Historians are quite good at it (the Nazis were no doubt evil, but the current discourse seems to have elevated them to some unique level of evil, as if no other human group was capable of similar atrocities) and politicians also excel at this art (look how carefully they cultivated that very useful term terrorist).
  2. When I write fiction I always get bogged down in the details, and if I want to invent some new technology, say an advanced version of the water bed, I find myself telling you about the supply chains and how basic materials are sourced and in what year the technological antecedents were developed and it all gets rather boring. Delaney skips all this.
  3. Is there some rule that truly great writers must end up writing weird stuff that's hard to understand? I've heard that great writers of fiction are really just poets, or maybe that poetry is to fiction as physics is to chemistry, but whatever the case, there are some writers who really are good, but if just jump straight into their weird books, you probably won't enjoy it.
Scoresby, my dude, respect, this is awesome. You have my complete attention next time you share a review or talk about books or maybe share your own fiction (if you haven't already?). I'm gonna start this book this very afternoon.
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Hey! Thanks! It's a pretty quick read. Hope you enjoy it!
I've been trying to write reviews of all the famous cyberpunk books. I've got them linked in my profile.
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I especially enjoyed the footnotes
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rock on
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Honestly, this book is not for me. I can feel my soul churning as I read how the villain went all out to destroy another person’s life - and for what purpose, really? Glad to “read” this book vicariously through you haha
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That’s a great review and a little out of my lane - thank you for sharing. Nova sounds like they can really hold a grudge…..
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Sounds interesting. Now if only I can find a copy sufficiently cheap...
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It's a little hard to track down. I was able to get it through the library though.
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Yeah, the library here charges 50 bucks for membership. I refuse, on principle, to pay that.
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Wow, fifty bucks is steep. Try archive.org, they let you borrow ebooks.
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