deSign_r

Design

![](https://m.stacker.news/119003)

# Sonic alchemy beyond noise: how acoustic architecture transforms metropolitan stress into meditative sanctuary.

Renewal Acoustic Sanctuary forms part of our ongoing research into sensory design and well-being. It investigates how acoustic architecture can transform dense, overstimulating environments into spaces for restoration.

Well-being is beginning to unfold in public life, no longer limited to private interiors or retreats but integrated into the everyday rhythm of urban life. As older frameworks of gathering and care dissolve, new shared rituals are emerging—quiet, collective gestures that restore connection through space and sound.

![](https://m.stacker.news/119004)

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Renewal Acoustic Sanctuary

![Palestinian sculptors create art on Gaza beach sand to escape Israel’s war](https://m.stacker.news/119002)

# The art is washed away every evening, but the artists are back every morning with enthusiasm.

Everything around Gaza’s shoreline has been reduced to rubble by the Israeli military, but the coast still offers some fleeting solace from the horrors of ongoing death and destruction in the besieged Palestinian enclave.

Local artists have been creating sand sculptures on the beach, gathering people on the shoreline that used to attract large crowds before the devastation of Israel’s genocidal war.


Palestinian sculptors create art on Gaza beach sand to escape Israel’s war

![](https://m.stacker.news/119001)

Since its open-sourcing, Ant Design has garnered 96.6K Stars, accumulated 31.9K issues, 20.7K PRs, released 904 npm versions, and has had 2314 contributors participate in its development. These numbers not only represent the community's activity and support but also witness the project's continuous evolution and maturation.

It is because of you that Ant Design can continue to grow and move towards its next stop.

After extensive RFC discussions and multiple Alpha version iterations, v6 has now entered a stable phase. Today, we are announcing the official release of Ant Design v6!

This upgrade focuses on deep technical optimizations, aiming to provide better compatibility and performance for React 19 and future versions (with version compatibility raised to React 18), and to further improve the semantic structure of components and CSS variable support.

Learn more at https://ant.design

🎉 Ant Design 6.0 is Here!

![](https://m.stacker.news/118995)

We’ve all done it. You arrive at a famous landmark…the Eiffel Tower, the Grand Canyon, Niagara Falls, the Colosseum—and you instinctively reach for your phone. You snap the picture that proves you were there.

There is nothing wrong with that. We all want the memory.

But I’ve learned that the "proof of life" photo is rarely the one that ends up on my wall. The photos that stick with us aren't the ones that show what a place looks like; they are the ones that show what a place feels like.

For the best photos, see less like a tourist and start seeing more like an artist.

![](https://m.stacker.news/118996)

![](https://m.stacker.news/118997)

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The Art of the Journey: Capturing the Authentic Soul of Your Travels

Dembrandt: Extract any website’s full design system in few seconds

I tried myself yesterday and got some error I did not understand on macos. Tried again after installing playwright.dev package, and it worked fine. 

Weird because it explicitly said in the repository "No installation required". But apparently it has a `playwrigth` dependency.



HealthAndFitness

RUNSTR: Stats Screen

TheWildHustle

Great work. When other languages' support?

![](https://m.stacker.news/118852)

# “The danger is never that robots disobey, but that they obey perfectly.”

At the convergence of frontier research breakthroughs, billions in capital, and rising geopolitical tensions lies a dream for a new physical world. After the LLM wave, robotics is seen as the next exponential growth domain. Chinese manufacturing is viewed as an existential threat to the US, adding to incentives. And, though robotics is the hardest domain of AI, multiple new AI strategies now offer clear paths to Embodied General Intelligence (EGI).

Informed by conversations with frontier researchers, intuitions gained at Optimus and Dyna2.5, and my own syntheses, I predict inference-controlled robots will comprise half the world’s GDP by 2045. This scenario illustrates how.

Android Dreams

![](https://m.stacker.news/118850)

# How removing friction from creative tools removes the meaning from creative work.

> ...if creativity becomes automated we risk losing the very thing that makes art meaningful — the experience of creating something. Then what’s going to happen to all those “happy little accidents” and self expression, that come with the creative struggle?

![](https://m.stacker.news/118851)



What we lose when we lose the creative struggle

![](https://m.stacker.news/118849)

A CLI tool for extracting design tokens and brand assets from any website. Extract any website’s full design system in few seconds - colors, typography, spacing, shadows, breakpoints. One command. No install. Powered by Playwright with advanced bot detection avoidance. 

No installation needed! Just use `npx`:
```
npx dembrandt stripe.com
```

Dembrandt analyzes live websites and extracts their complete design system:

- Logo — Logo detection (img/svg) with dimensions and source URL
- Colors — Semantic colors, color palette with confidence scoring, CSS variables
- Typography — Font families, sizes, weights, line heights, font sources (Google Fonts, Adobe Fonts, custom)
- Spacing — Margin and padding scales with grid system detection (4px/8px/custom)
- Border Radius — Corner radius patterns with usage frequency
- Shadows — Box shadow values for elevation systems
- Buttons — Component styles with variants and states
- Inputs — Form field styles (input, textarea, select)
- Breakpoints — Responsive design breakpoints from media queries
- Icons — Icon system detection (Font Awesome, Material Icons, SVG)
- Frameworks — CSS framework detection (Tailwind, Bootstrap, Material-UI, Chakra)

Perfect for competitive analysis, brand audits, or rebuilding a brand when you don't have design guidelines.

![](https://m.stacker.news/118752)

Here's the secret to Harper's design system: it hasn't really existed until now. Each of the integrations, from the Chrome extension, to the website, and even the Obsidian plugin, had their own design system and appearance. Mostly, this was because I didn't care enough about it when first crafting these projects. Things have changed, so I'm going to take my time and do a good job in an attempt to service these user complaints.

Quality Requires Visual Design

![Pictograms of ‘woman’ from The Isotype Picture Dictionary. Photograph: Laura Bennetto/Otto and Marie Neurath Isotype Collection, University of Reading](https://m.stacker.news/118748) ![A graphic showing residential density in large cities, designed by Marie Reidemeister (later Neurath). Photograph: Otto and Marie Neurath Isotype Collection, University of Reading](https://m.stacker.news/118749)

> When Austrian philosopher Otto Neurath invented the visual language of Isotypes, it was to democratise education. As a new exhibition shows, it ended up influencing pop art, graphic design and electronic musicians from Kraftwerk to OMD

![Vinyl artwork for Kraftwerk’s 1974 album Autobahn. Photograph: Alicia Canter/The Guardian](https://m.stacker.news/118751)

![The Factory Records logo, designed by Peter Saville](https://m.stacker.news/118747)


When Otto Neurath died in Oxford some 80 years ago, far away from his native Vienna, he was still finding his feet in exile. Like many a Jewish refugee, the economist, philosopher and sociologist had been interned as a suspected enemy alien on the Isle of Man, along with his third wife and close collaborator Marie Reidemeister, having chanced a last-minute life-saving escape from their interim hideout in the Netherlands across the Channel in a rickety boat in 1940.

Thanks to Neurath’s pioneering use of pictorial statistics – or “Isotypes” as Reidemeister called them, an acronym for “International System of Typographic Picture Education” – he left behind an enormous legacy in the arts and social sciences: it is the language through which we decode and analyse the modern world. But his lasting relevance would have been hard to predict at the time of his death at the age of 63.

Neurath demanded his images ‘show the most important thing about the object at first glance’
At that point, his Vienna Method of Pictorial Statistics had had relatively little impact in the UK (beyond providing strikingly simplified imagery to the public information shorts of leftist film-maker Paul Rotha). Neurath’s “visual autobiography” had been shelved by his publishers, who probably failed to follow the ambitious arc of its title, “From Hieroglyphics to Isotype”.

https://www.youtube.com/watch?v=gp_Du6uO9V4




‘Pictures unite!’: how pop music fell in love with socialist infographics

![Brief but Spectacular](https://m.stacker.news/118746)

> For decades, David Kelley has helped people unlock their creativity. A pioneer of design, he founded the Stanford d.school as a place for creative, cross-disciplinary problem solving. He reflects on the journey that shaped his belief that everyone has the capacity to be creative and his Brief But Spectacular take on creativity and design.


_Amna Nawaz, PBS:_
For decades, David Kelley has helped people to unlock their creativity. A pioneer of design, he founded Stanford's d.school as a place for cross-disciplinary problem-solving.

In tonight's Brief But Spectacular, he reflects on the journey that shaped his belief that everyone has the capacity to be creative.

_David Kelley, Stanford University:_
I met Steve Jobs soon after I started IDEO in 1978. He didn't have an internal design group, and so he was using people from the outside. He liked what he saw and we ended up doing 53 projects for Apple after that.

The most impactful project that I think we ever did for Apple was the computer mouse. It's one of those great things where to see something adopted that quickly was really gratifying as a designer.

These are things I designed. So this is the chassis for the Apple III computer. This is the Palm V. It's a personal digital assistant before your time. My mom's spatula, I don't know why that's memorable.

I grew up in Barberton, Ohio, the Rust Belt of the country. As a kid, I was always tinkering. You know my grandfather was a machinist, and if you needed a part for the washing machine, you made a new one. When I first arrived at Stanford, I really didn't have any knowledge of what design was.

Design was in the engineering school, but it was very human-centered, so that was a better fit for me. I was much better at going out and trying to understand what was meaningful for people. Twenty years ago, I was diagnosed with throat cancer, and it really hit me hard, but I really had the epiphany that I wanted to do something that was meaningful in the world.

And as I started teaching, I realized that my purpose in life was figuring out how to help people gain confidence in their creative ability. Many people assume they're not creative. Time and time again, they say, a teacher told me I wasn't creative or that's not a very good drawing of a horse or whatever it is.

We don't have to teach creativity. Once we remove the blocks, they can then feel themselves as being a creative person. Witnessing somebody realizing they're creative for the first time is just a complete joy. You can just see them come out of the shop and beaming that I can weld. Like, what's next?

I couldn't get that anywhere else, I think, other than being an educator. The way the d.school idea came to me basically was, I was in a bunch of meetings in those days about multidisciplinary. Early prototypes for the d.school were just some of us getting together from different departments and teaching a class together.

The way of thinking and working together in a radically collaborative way results in really life-changing, world-changing kind of ideas. The d.school is really focused on helping people gain a new mind-set, designing in a way that's human-centered.

What's different about design today, I think, is, we used to be at the kids table and now I think we're at the adult table, that we're getting to work on the most interesting problems. Design is just one of the disciplines, along with business and technology, we can actually contribute to making solutions that are meaningful and fit with people.

My name is David Kelley, and this is my Brief But Spectacular take on creativity and design.

David Kelley's Brief But Spectacular take on creativity and design

![](https://m.stacker.news/118621)

₿uilder is a monthly meetup focused on discussing product, design, and AI tools for individuals building on bitcoin. Everyone is welcome, whether you're an experienced product manager or designer, just starting out, or simply curious to learn.

₿uilder Vancouver runs a mix of events to bring the local Bitcoin and open-source community together. Expect Socratic Seminars — discussion-led deep dives into ideas — Vibe coding Hackathons for hands-on collaborative building, plus regular networking nights, workshops, and lightning talks.
Events are inclusive and geared toward all skill levels: whether you’re prototyping a project, sharpening your skills, or simply looking to meet other builders, there’s a place for you. Check individual event pages for dates, locations, and RSVP details.

₿uilder Vancouver

![BAD EXECUTION → Loud, Dramatic, and Heroic](https://m.stacker.news/118619)

The other day I was talking with one of my directs. We ended up discussing something we’ve both learned over the years. When execution works, the environment is quiet. Not slow. Not passive. Quiet. Execution happens. People work together. Nothing feels heavy. You sort of question if there’s management in all this or their very existence. That’s a good thing. Maybe, one of the best signals of good management. 

On the flip side, you can immediately tell when the management isn’t good. Projects stall or never finish. You will see extra approvals appear. Processes get thicker. People start checking in more than they need to. Updates become defensive. The number of meetings increases. All of this is a reaction to a simple problem. The management can’t execute the work. Hence, people try to do it themselves. 

![GOOD EXECUTION → Quiet and Invisible](https://m.stacker.news/118620)

Great execution always looks easier from the outside than it actually is. That’s because the real work sits inside the system. The clarity, the direction, the ownership, the rhythm. They compound. People move without friction. Decisions are easy. Problems surface early and get resolved early. Nothing feels heavy.

Poor execution does the opposite. It makes everything loud. Chaos becomes visible. Management becomes reactive and highly visible. Processes thicken. People compensate for gaps the system should handle. The organization ends up spending more energy managing itself than delivering anything meaningful. It feels like everything is bloated.

Sustainable engineering cultures don’t depend on pressure, urgency, or oversight. They’re built on clarity, trust, and stability. They make it easy for people to do the right thing without fighting the environment around them. When that foundation exists, execution doesn’t need to be forced. It just happens.

The best-executing teams don’t need shepherding. They need guardrails, direction, and space. Give them that, and the quiet will tell you everything you need to know.

What Good Execution Looks Like

![](https://m.stacker.news/118609)

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That is the heartbeat of contemporary AI. Data folded into a dense internal landscape where words cluster into something that behaves like understanding.

The models are creating meaning, yet their pathways remain opaque. When they hallucinate, they are not simply wrong; they expose the edges of an internal world whose logic we cannot fully trace.

The artworks explore that fault line. Classical paintings, early computer interfaces, neon vector grids, and digital remnants sit side by side, compressed into a single surface much like features in a neural layer. The small coded labels scattered across the images resemble confidence scores, quiet indicators of the hidden mathematics.

Each collage becomes a graphic expression of the model’s internal turbulence. Layer sits above layer, and underneath we glimpse not a complete scene but fragments of training data and partial connections, the visual equivalent of a model synthesizing meaning from incompatible sources. Are we witnessing the big bang of meaning for machines?

[Go to the generator](https://zehfernandes.com/projects/folded-world/tool)


![](https://m.stacker.news/118613)

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![](https://m.stacker.news/118618)

The Folded World

bitcoin

The Sovereignty Problem in Africa

Satoshi53

... without realizing they are already Satoshi.

Seem authentic to me [https://xcancel.com/Satoshi53_ ](https://xcancel.com/Satoshi53_ )

Africa is not a country, is a continent like Oceania. However, initiatives like this make me always think about how African people feel and been unity, no matter the country (within Africa) they are from.

Why Satoshi53? I mean, what 53 stands for?

Stacker Saloon

saloon

Logo API - Instant Company Logos for Developers

Indeed is equally good idea to keep track of logos evolution across time and cyberspace. 

![](https://m.stacker.news/118503)

![](https://m.stacker.news/118504)